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Review | ‘Damsel’ is a refreshing feminine narrative under unwarranted critique
By Nada Abdulaziz, Senior Staff Writer
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Review | On Beyoncé’s ‘Cowboy Carter,’ the Texan trailblazer defiantly celebrates her country roots
By Irene Castillo, Staff Writer
• April 5, 2024
Review | ‘S.O.S!’: ‘Mamma Mia!’ delivers a spectacular show at the Benedum Center
By Casey Carter, Staff Writer
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Review | Netflix’s ‘One Day’ is an authentic, compelling story of love across decades
By Casey Carter, Staff Writer
• March 21, 2024
Review | ‘Dune: Part Two’ perfects the science fiction film formula
By Ore Fawole, Staff Writer
• March 17, 2024
Review | Live-action ‘Avatar’ series brings needed representation, but falls short of the original
By Irene Castillo, Staff Writer
• March 5, 2024
Review | ‘The Book of Mormon’ brings side-splitting sacrilege to the Benedum Center
By Patrick Swain, Culture Editor
• March 1, 2024
Review | ‘Madame Web’ is a disgrace to the legacy of superhero films
By Nada Abdulaziz, Senior Staff Writer
• March 1, 2024
Micro-reviews of the 2024 Best Picture nominees
By Ore Fawole, Staff Writer
• February 25, 2024
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By Livia LaMarca, Assistant 51ӰԺ Editor • July 18, 2024
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By Matthew Scabilloni, Assistant Sports Editor • July 17, 2024